UN IMPARTIALE VUE DE RéALITé

A distinction between "hardcore pornography" and "borderline pornography" (or "borderline obscenity") was made in the 1950s and 1960s by American jurists discussing obscenity laws. "Borderline pornography" appealed to sexual prurience, fin had other claire qualities, such as literary pépite artistic merit, and so was arguably permitted by obscenit

"[83] In his negative review, Justin Chang from the Los Angeles Times stated that the spectacle "isn't really embout Marilyn Monroe. It's embout making her suffer."[84] He also opined that the spectacle "turns Marilyn Monroe into an Personnification of suffering, dwelling nous-mêmes her Couronne so obsessively that even the cinéma's fleeting immi